The view from my window is a city I have never seen before. It had a sunset sky last night of surpassing magnificance, mounds of gold and pearl cloud against pale blue, pink, lavender. We walked the calm streets and found a restaurant with marble tables set with lemon and tomato. I drank prosecco and he drank gin and tonic and the food was perfect fish. We wake this morning, this day, to this city to see a play about a virtuoso pianist who went mad for a while but then got better, at a place called Three Minute Theatre. This is not a fantasy, although I do often dream I am in an unknown city. This is Manchester. #TellYourStory 21 June 2017 National Writing Day @WriteDay
How do you write about a place you’ve never been to? How do you write about a time you’ve never lived in? Or how do you bring your writing to life? Come and hone your writing skills, and acquire new ones, with Susan Lee Kerr, local author, haiku poet and creative writing tutor. Susan, known to She Voices members, was born in West Virginia, raised in New York, and is now a dedicated Londoner. Her novel, The Extraordinary Dr Epstein, is the true life of an astonishing 19th century immigrant. As his great granddaughter, Susan drew on family tales, fact and imagination to tell the turbulent story that she draws upon in her workshop.
SHE VOICES WOMEN WRITERS welcomes newcomers to this workshop on Saturday morning 17th June 10.30 – 12.30 At Richmond Library, Little Green, Richmond Upon Thames TW9 1QL.
And I thank She Voices for this lovely opportunity!
Scene of the crime… that is the Times Crime Club Masterclass last night held way up high. Besides top agent Jane Gregory, top Hodder editor Julia Wisdom, and three super-established authors (Sophie Hannah, Charles Cumming, Henry Sutton) they even arranged a glorious sunset. It’s always good to get a writing boost from those who know. The plot-comes-out-of-character v character-comes-out-of-plot is one to turn over in the mind. And this reminder gave me a huge clue on how to resolve my struggle with Chapter 6: ‘What does the character want? What is in the way?’
Ok, the usual, and then my others: Kinetic, Inner/Visceral, Time. It’s essential to turn students loose on the senses (and to remind ourselves #amwriting). Once you’ve talked about it, spring an exercise on them, like Hyper-Awareness (surprise). Details HERE.
Funny, angry and very moving. Notes on a Page anthology launch by She Voices Women Writers based in Richmond upon Thames. Tales of daring, short stories, memoir, glimpses of history, poetry, a peek into a futuristic world — and that’s just the launch at Richmond Library on the Green. Only joking… all that’s in the book; it’s really tea & cake on Saturday 3 December, 2 – 4 pm.
Come on along and meet a bevy of friendly, feisty authors in a little break from your holiday shopping. I’m honoured to be a guest writer within the pages, and former tutor of several of the anthologees. Including Camilla Reeve of Palewell Press and Margaret Whittock of Dark Mourne Press who have run and organised this fab book. Want to know more about the writing group and possibly join it? Click HERE for their info page.
Click HERE for info on the Richmond Library location.
Wow. I’ve written myself to a point where I’m just like a reader. In suspense and don’t know what exactly is going to happen next. I know the story but how to tell it? I’m stuck. This is becoming much more of an adventure than I thought. I started with a character, a situation and a setting all of which I know, but: blank page now and to make it go on, what? Handwriting, I start a possible scene, doesn’t matter, could be rubbish, just START. Only when I write the scene do I find out what I know and what I don’t know and where/how it might go next.
I love and fear and hate the unknowing. Only by writing do I know the unknown which then leads me to the knowing. Notes from the edge: you are on this adventure with me.